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Polka

Yves Klein Blue

Text File

-----------Polka----Yves Klein Blue----------- tabbed by borck borck (ja_._@hotmail.com) This is only the chords that michael plays. during the verse the Dbm chord is best played as it is during the intro note the [] symbolise measures/bars. i would play the normal F# like this e-2 B-2 G-2 D-4 A-4 e-2 and the F#(2) like this e- B-11 G-11 D-11 A-9 e- the normal E should be played like this e- B-9 G-9 D-9 A-7 e- the E(2) like this e-0 B-0 G-1 D-2 A-2 e-0 intro e-----------------------------------------| B---5---5----5---5-----5----5-------------| G---6---6----6---6-----6----6-------------| D---6---6----6---6-----6----6-------------| A-4--------4---------4---------4-------3--| E-----4--------4----------4-------4--6----| Verse Dbm Brother hold your head this way Ab And bustle to the front of the line e Ab Coz if they catch your eyes before you get inside, Dbm Well you'll never be allowed Dbm People got a name for us e Ab Coz we escape the strain of the days F# A Oh we stretch in the side and bend in the middle, Dbm But we never ever break Dbm Dbm/Ab A e But if you feel that way now Dbm Dbm/Ab A F# Or if you feel so inclined Dbm F#(2) e A Ab Skip past the doors of boring forty-somethings and rise Dbm Dbm/Ab A e Oh and if you wanna lose your frown Dbm Dbm/Ab A F# Or your name or even your face Dbm F#(2) e A Ab Dbm Lick up a dream that seemingly sings with whistling neon breath It goes thru the same few chord progressions again then to the chorus which is instrumental Chorus [A D][e ][Dbm e][B ][E(2) ][Ab ][Ab ] repeat. Then back into the verse After second chorus [Db(not minor)][Ab ][Db ][Ab ][Ab ] Ohhhhhhhhhhhh.... F#m B e A All your spirits gone, and you are barley alive. D Ab Dbm You hand me a smoke, though it�s like you hardly notice F#m B And it�s sad I suppose e A When I look into your eyes you say D Ab D Ab It seems to go this way, no matter what�s at stake, D Ab Dbm Oh it seems to go this way with everything I start guitar solo the chord progression is the same as in the verse, soloing in the Dbm scale tends to sound pretty good Dbm Dbm/Ab A e Oh so if you feel that way now Dbm Dbm/Ab A F# Or if you ever feel so inclined Dbm F#(2) e A Ab Skip past the doors of boring forty-somethings and rise Dbm Dbm/Ab A e But if you want to lose your frown Dbm Dbm/Ab A F# Or your name or even your face Dbm F#(2) e A Ab Dbm Lick up a dream that seemingly sings with rushing neon breath
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