+
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The Shake

Kisschasy

Text File

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

The notes in '( )' are held for an extra duration. (you dont need to play it a
second time, it is tied on... just for those who don't know.)
Just listen to the song for the exact timing

This song is pretty straightforward, with only about 3 different things/riffs you
must learn, but it sounds impressive when you play it to a crowd.. Happy Playing~ :)

 

 


  

    Q=160

LET RING THROUGHOUT SONG~~~~
Intro
  4/4
||--------2-(2)---------|-------0-(0)---------|
||o-----3-------3-(3)---|-----3-------3-(3)---|
||----0---------------0-|---0---------------0-|
||----------------------|---------------------|
||o-2-------------------|-3-------------------|
||----------------------|---------------------|


|-------3-(3)-(3)----|-------3-(3)----------||
|-----3------------3-|-----3-------3-(3)---o||
|---0----------------|---0---------------0--||
|--------------------|----------------------||
|--------------------|---------------------o||
|-3------------------|-3--------------------||


   Verse
||--------2-(2)---------|-------0-(0)---------|
||o-----3-------3-(3)---|-----3-------3-(3)---|
||----0---------------0-|---0---------------0-|
||----------------------|---------------------|
||o-2-------------------|-3-------------------|
||----------------------|---------------------|


                      
                                             3x
|-------3-(3)-(3)----|-------3-(3)-----------||
|-----3------------3-|-----3-------3-(3)----o||
|---0----------------|---0---------------0---||
|--------------------|-----------------------||
|--------------------|----------------------o||
|-3------------------|-3---------------------||


  4.
|-------3-(3)-------|-3--------|-(3)----|
|-----3-------3---3-|-3--------|-(3)----|
|---0-----------0---|-0--------|-(0)----|
|-------------------|----------|--------|
|-------------------|-3--------|-(3)----|
|-3-----------------|----------|--------|


 Pre-Verse
|-------0-(0)---------|---------------------|
|-------------3-(3)---|---------------------|
|-----0-------------0-|-(0)---0---4-b5-(4)--|
|---2-----------------|-----2---2-0----(0)--|
|-0-------------------|---------------------|
|---------------------|---------------------|


|-------3-(3)----|-(3)--------|-------0-(0)---------|
|-----3----------|------------|-------------3-(3)---|
|---0------------|------------|-----0-------------0-|
|----------------|------------|---2-----------------|
|-3--------------|------------|-0-------------------|
|----------------|------------|---------------------|


|---------------------|-3--------|-(3)----|
|---------------------|-3--------|-(3)----|
|-(0)---0---4-b5-(4)--|-0--------|-(0)----|
|-----2---2-0----(0)--|----------|--------|
|---------------------|-3--------|-(3)----|
|---------------------|----------|--------|


   Verse 2 and 3
    $
||--------2-(2)---------|-------0-(0)---------|
||o-----3-------3-(3)---|-----3-------3-(3)---|
||----0---------------0-|---0---------------0-|
||----------------------|---------------------|
||o-2-------------------|-3-------------------|
||----------------------|---------------------|


                      
                                           3x
|-------3-(3)-(3)----|-------3-(3)---------||
|-----3------------3-|-----3-------3-(3)--o||
|---0----------------|---0---------------0-||
|--------------------|---------------------||
|--------------------|--------------------o||
|-3------------------|-3-------------------||


                     Chorus
  4.
|-------3-(3)-------|-^3--------|-3----------|-------0-(0)---------|
|-----3-------3---3-|-^3--------|-----3------|-------------3-(3)---|
|---0-----------0---|-^0--------|---------0--|-----0-------------0-|
|-------------------|-----------|------------|---2-----------------|
|-------------------|-^3--------|------------|-0-------------------|
|-3-----------------|-----------|------------|---------------------|


|-------------------|-------3-(3)----|-3----------|
|-------------3-----|-----3----------|-----3------|
|-(0)---0---0---0---|---0------------|---------0--|
|-----2---2-------0-|----------------|------------|
|-------------------|-3--------------|------------|
|-------------------|----------------|------------|


|-------0-(0)---------|---------------------|
|-------------3-(3)---|---------------------|
|-----0-------------0-|-(0)---0---4-b5-(4)--|
|---2-----------------|-----2---2-0----(0)--|
|-0-------------------|---------------------|
|---------------------|---------------------|


|-------3-(3)----|-3----------|-------0-(0)---------|-------------------|
|-----3----------|-----3------|-------------3-(3)---|-------------3-----|
|---0------------|---------0--|-----0-------------0-|-(0)---0---0---0---|
|----------------|------------|---2-----------------|-----2---2-------0-|
|-3--------------|------------|-0-------------------|-------------------|
|----------------|------------|---------------------|-------------------|


                On Second Time, To Coda
|-------3-(3)----|-(3)--------|
|-----3----------|------------|
|---0------------|------------|
|----------------|------------|
|-3--------------|------------|
|----------------|------------|


|-------0-(0)---------|---------------------|
|-------------3-(3)---|---------------------|
|-----0-------------0-|-(0)---0---4-b5-(4)--|
|---2-----------------|-----2---2-0----(0)--|
|-0-------------------|---------------------|
|---------------------|---------------------|


                    D.S.
|-3--------|-(3)------------|
|-3--------|-(3)------------|
|-0--------|-(0)------------|
|----------|----------------|
|-3--------|-(3)------------|
|----------|----------------|


  &
|-------0-(0)----|-(0)--------------|
|----------------|------------------|
|-----0----------|--------4-b5-(4)--|
|---2------------|--------0----(0)--|
|-0--------------|------------------|
|----------------|------------------|


   Chorus
||--3---3-3--3--|-(3)-3-(3)-3-3-3-3-3-|
||o-3---3-3--3--|-(3)-3-(3)-3-3-3-3-3-|
||--0---0-0--0--|-(0)-0-(0)-0-0-0-0-0-|
||--------------|---------------------|
||o-3---3-3--3--|-(3)-3-(3)-3-3-3-3-3-|
||--------------|---------------------|


                                    12x
|-2---2-2--2--|-(2)-2-(2)-2-2-2-2-2--||-3------|--3----------|
|-3---3-3--3--|-(3)-3-(3)-3-3-3-3-3-o||-3------|-----3-------|
|-0---0-0--0--|-(0)-0-(0)-0-0-0-0-0--||-0------|--------0----|
|-------------|----------------------||--------|-------------|
|-2---2-2--2--|-(2)-2-(2)-2-2-2-2-2-o||-3------|-------------|
|-------------|----------------------||--------|-------------|


|--------|-2------|-^3----*|
|--------|---3----|-^3----*|
|--------|-----0--|-^0----*|
|--------|--------|-^0----*|
|-2------|--------|-^2----*|
|--------|--------|-^3----*|




--------------------------------------------------------------------------------


Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda