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Santa Monica
Everclear
Text File
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
SANTA MONICA (Bassline)
As recorded by Everclear
Transcribed by Gary Ramsey
Gtr I (E A D G) - 'Staff'
Q=97
4/4
Gtr I
W W W W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
W W W W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
W W W Q E S S E E E E
|----------|----------|----------|-------------------|
|----------|----------|----------|-------------------|
|----------|----------|----------|--------2-3-2-0-2--|
|----------|----------|----------|-------------------|
E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-5-5----5-5-7-7-|----------------|----------------|----------------|
|----------------|-8-8----8-8-5-5-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E E E Q E E E E E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|-5-5----5-5-7-7-|----------------|----------------|---------3-2-0-2-|
|----------------|-8-8----8-8-5-5-|-3-3----3-3-0-0-|-3-3-3-3---------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-------------2-2-|-0-0-0-0-0-0-----|-----------------|
|-3-3-3-3-3-3-5-5-|-----------------|-------------3-3-|-------------5-5-|
|-----------------|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|
E E E E E E E E E E E E E E E E E E E E E E E E E E Q E E E E
|-----------------|-----------------|-----------------|----------------|
|-----------------|-------------2-2-|-0-0-0-0-0-0-----|----------------|
|-3-3-3-3-3-3-5-5-|-----------------|-------------3-3-|----------------|
|-----------------|-3-3-3-3-3-3-----|-----------------|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E H +Q Q E E Q E E E E
|----------------|----------------|--------------|----------------|
|----------------|----------------|--------------|----------------|
|----------------|----------------|--------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3----(3)-----|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E E E Q E E E E E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|
E E E E E E E E E E Q E E E E H +Q Q E E Q E E E E
|-----------------|----------------|--------------|----------------|
|-----------------|----------------|--------------|----------------|
|-----------------|----------------|--------------|----------------|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3----(3)-----|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E E E Q E E E E E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|
E E E E E E E E E E Q E E E E E E Q E E E E E E E E E E E E
|-----------------|----------------|----------------|-----------------|
|-----------------|----------------|----------------|-----------------|
|-----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|
E E E E E E E E E E Q E E E E E E E E E E E E E E E E E E E E
|-----------------|----------------|-----------------|-----------------|
|-----------------|----------------|-----------------|-----------------|
|-----------------|----------------|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3-3-3-3-3-3-----|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|
E E E E E E E E E E E E E E E E E E Q E E E E E E Q E E E E
|-----------------|-----------------|----------------|----------------|
|-------------2-2-|-0-0-0-0-0-0-----|----------------|----------------|
|-----------------|-------------3-3-|----------------|----------------|
|-3-3-3-3-3-3-----|-----------------|-3-3----3-3-0-0-|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|
E E Q E E E E E E Q E E E E W +H +H
|----------------|----------------|----------|---------------|
|----------------|----------------|----------|---------------|
|----------------|----------------|----------|---------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3--------|-(3)----(3)----|
e. S Q H
|--------------*|
|--------------*|
|--------------*|
|-3------------*|
--------------------------------------------------------------------------------
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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