+
-

Bloodrocuted

Dethklok

Text File

-------------------------------------------------------------------------------
			     Bloodrocuted - Dethklok
-------------------------------------------------------------------------------

Tabbed by:  Old Rasputin
Email:      einsteinonthebeach@comcast.net

Tuning: C standard (C,F,Bb,Eb,G,c)

Note: All note names are written as though we are in standard tuning, as I
      refuse to re-learn my fretboard in C.

Note: Sometimes I feel it necessary to notate rhythm, My conventions are as
      follows:    
                W = whole note/rest          R = rest
                h = half note/rest        
                q = quarter note/rest        /
                e = eighth note/rest       o/o = repeat previous bar
                s = sixteenth note/rest    /
                h.= dotted half note

                Tied note values are connected with an underscore.
                example: s__(s)  (a 16th tied to another 16th)

                anything under: /--3--\ is a triplet

                Double bar lines indicate the end of sections.

                Bar lines occur every 4 beats.


Intro Riff:

c.|------------|-------------|------------|-------------||
G.|------------|-------------|------------|-------------||
Eb|------------|-------------|------------|---5--5---7--||X2
Bb|-2-2--------|-2-2---------|-2-2--------|-2-5--5-5-7--||
F.|-2-2-----2--|-2-2---------|-2-2-----2--|-2-3--3-5-5--||
C.|-0-0-320-0--|-0-0-320-320-|-0-0-320-0--|-0------3----||
        pm-|         pm-----|      pm-|    



Verse Riff:

c.|------------|--------------|------------|------------||
G.|------------|--------------|------------|------------||
Eb|---------7--|-----------7--|------------|------------||X2
Bb|-8/9\8/9-5--|-9\8/9\8/9-5--|-7\5/7\5-7--|-5/7\5-7----||
F.|-6/7\6/7----|-7\6/7\6/7----|-5\3/5\3-5--|-3/5\3-5-7--||
C.|------------|--------------|------------|---------5--||

Repeat from top, then:


These next 2 riffs are tough to hear for sure - even when slowed down.
This should be pretty damn close though.

Riff 3:

c.|------------|-------------|-----------|-------------||
G.|------------|-------------|-----------|-------------||
Eb|------------|-------------|-----------|-------------||X2
Bb|-2-2--------|-------------|-5-5-------|-------------||
F.|-2-2-----2--|-7-7---------|-5-5-----5-|-5-5---------||
C.|-0-0-320-0--|-5-5-875-875-|-3-3-753-3-|-2-2-532-532-||
        pm-|         pm-----|      pm-|        pm-----|


Riff 4:

c.|-------------|-------------|-------------|-------------||
G.|-------------|-------------|-------------|-------------||
Eb|-------------|-5-----5-----|-5-----5-----|-8-----------||X2
Bb|-------------|-4-----4-----|-4-----4-----|-8-----8-----||
F.|-6-----6-----|-3-333-3-333-|-3-333-3-333-|-6-666-8-----||
C.|-3-444-3-444-|-------------|-------------|-------6-666-||
      pm-|  pm-|  etc...


Riff 5:

c.|------------|----------------||
G.|------------|----------------||
Eb|------------|----------------||X2
Bb|-2-2--------|---2---2--------||
F.|-2-2-----2--|---2---2-----2--||
C.|-0-0-320-0--|-R-0-R-0-320-0--||
    q q sse q    e e e e sse q
        pm-|             pm-|


Riff 6:

c.|-----------------|-----------------|-----------------|------------------|
G.|-----------------|-----------------|-----------------|------------------|
Eb|-----------------|-----------------|-----------------|------------------|
Bb|-----------------|-----------------|-----------------|------------------|
F.|-----------------|---------------2-|-----------------|-----------2-5p2--|
C.|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-2-3---|-0-0-0-0-0-2-3p2-|-0-0-0-0-0--------|
    pm - - - |        pm - - - - - |    pm - - - |        pm - - - |

c.|-----------------|-----------------|-----------------|----------------|
G.|-----------------|-----------------|-----------------|----------------|
Eb|-----------------|-----------------|-----------------|----------------|
Bb|-----------------|-----------------|-----------------|-------------7--|
F.|-----------------|---------------2-|-----------------|-------------4--|
C.|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-2-3---|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-0----|
    pm - - - |        pm - - - - - |    pm - - - |        pm - - - - |    

  1st ending:
c.|------------------|-----|-----|-----||
G.|------------------|-----|-----|-----||
Eb|-7----------------|---/-|---/-|---/-||  Now repeat from the 5th bar
Bb|-7----------------|-o/o-|-o/o-|-o/o-||  and take 2nd ending.
F.|-5555555555-etc---|-/---|-/---|-/---||
C.|------------------|-----|-----|-----||
    (just hammering out 16ths)


  2nd ending:
c.|------------------|-----|-----------------|-----||
G.|------------------|-----|-----------------|-----||
Eb|-7----------------|---/-|-5---------------|---/-||
Bb|-7----------------|-o/o-|-5---------------|-o/o-||
F.|-5555555555-etc---|-/---|-333333333-etc---|-/---||
C.|------------------|-----|-----------------|-----||


Harmony parts for 2nd ending:

c.|-12b(14)~~~|-(14)~~~---|-10b(12)~~~|-(12)~~~---||Gtr2
G.|-13b(15)~~~|-(15)~~~---|-12b(13)~~~|-(13)~~~---||Gtr3
Eb|-----------|-----------|-----------|-----------||


c.|-----------|-----------|-----------|-----------||
G.|-8b(10)~~~-|-(10)~~~---|-7b(8)~~~--|-(8)~~~----||Gtr4
Eb|-----------|-----------|-----------|-----------||
                                          ^^^
I really wouldn't worry too much about these. You could try just letting
the bass handle all the 16th notes and having the 2 guitars play some
combination of the harmonies.  It might sound a bit empty though; I'd
have to experiment.




Guitar Solo:


c.|-12-8----8----|-------------------|-------------------|----7-------|
G.|------12---12-|-10-8h10p8\7-8-7---|-------------------|------7~----|
Eb|--------------|-----------------9-|-9876---------4567-|-9----------|
Bb|--------------|-------------------|-----9876-5678-----|------------|
F.|--------------|-------------------|-------------------|------------|
C.|--------------|-------------------|-------------------|------------|


it splits into harmonies here:
  
  "lead" part:
c.|---------------|---------------|14b(15)--15b(17)---|17b(19)--19b(20)--|19~||
G.|---------------|12~~12h15p12-15|-------13-------15-|-------17-------19|---||
Eb|12~~12h14p12-14|---------------|-------------------|------------------|---||
   h   e  e  e  q  h   e  e  e  q  q      q q      q   q      q q      q  h
       \--3--/         \--3--/


  harmony part:
c.|---------------|-12~~--------17-|12~-12~-14~-14~|-15~-15~-17~-17~|-----||
G.|-12~~-------15-|----------------|---------------|----------------|-17~-||
Eb|---------------|----------------|---------------|----------------|-----||
    h.         q    h.          q   q   q   q   q    q   q   q   q    h

The above is an approximation (albeit a good one) of what you hear on the 
record.I suspect a whammy pedal is involved on the recording. It sounds like 
the bends (as I have them notated) in the lead part are actually starting a 
5th below the target note, going up, and then coming all the way back down in 
one smooth motion.  The notes I wrote after each bend on the 2nd string 
approximate the "coming back down" of the note.

It's not exact, but if you (like me) have 2 guitars to work with and (also 
like me) don't feel like dicking around with a whammy, this is a very reason
-able solution, but it only works if you actually have both parts - the lead 
part sounds rather empty by itself.



Repeat the Verse Riff 2X


Outro:

Rhythm guitar plays Riff 3 4X

Meanwhile, the other guitars begin layering on harmony parts:


Harmony Part A: 
(played over all 4 repetitions of the riff - center)
c.|---------|---------|--------7-|----------||
G.|-8~~---8-|-10~~-8~-|-8~~-10---|-7~~-8-10-||
Eb|-----7---|---------|----------|----------||
    h   q q   h    h    h   q  q   h   q q


Harmony Part B:
(played over the last 3 repetitions of the riff - left channel)
c.|-----------|----------|------------|------------||
G.|-12~~---12-|-13~~-12~-|-12~~-13-15-|-10~~-12-13-||
Eb|------12---|----------|------------|------------||
    h    q q    h    h     h    q  q    h    q  q


Harmony Part C:
(played over the last 2 repetitions of the riff - right channel)
c.|-15~~---15-|-17~~-15~-|-15~~-17-19-|-14~~-15-17-||
G.|------15---|----------|------------|------------||
Eb|-----------|----------|------------|------------||
    h    q q    h    h     h    q  q    h    q  q


Harmony Part D:
(played over the last repetiton of the riff - center)
c.|-12~~------|-12~~-12~-|-10~~-------|-10~~--10~--||
G.|-----------|----------|------------|------------||
Eb|-----------|----------|------------|------------||
    W           h    h     W            h     h


Ending:

c.|------------||
G.|------------||
Eb|------------||
Bb|-2-2--------||
F.|-2-2-----2--||
C.|-0-0-320-0--||
        pm-|


Like a lot of the Dethklok stuff, this tune  finds Mr. Small taking full 
advantage of the wonders of multi-track recording, which can be a pain in 
the ass for those of us, like me, who are trying to arrange it for a live 
setting.  Ultimately you'll just have to experiment with which harmonies 
work for you - unless, of course you want to have 4 or 5 guitar players on 
stage (a nightmare, I assure you).  Anyway, good luck.

Cheers,

-Old Rasputin

              Typos? Questions? Comments?

                   email: einsteinonthebeach@comcast.net   
    Hear Old Rasputin at: www.myspace.com/Oldrasputin






===============================================================================

=
| /  slide up
| \  slide down
| h  hammer-on
| p  pull-off
| ~  vibrato
| +  harmonic
| x  Mute note
===============================================================================

search

Bloodrocuted

Dethklok