search
Wisdoms Call
Believer
Text File
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
WISDOM'S CALL (Bassline)
As recorded by Believer
(From the 1991 Album SANITY OBSCURE)
Transcribed by Ibeanez
Gtr I (B E A D G) - 'Bass'
E=213
4/4 7/16
Gtr I
Wx2 Q..
|------------|-------|
|------------|-------|
|------------|-------|
|------------|-------|
|------------|-------|
4/4
S S S S S S S S +S S S S S S S S
||------------------------------------|
||o---------------------------5-6-5---|
||----------3s4---3-(3)-5-6-8-------8-|
||o-----------------------------------|
||--3-3-3-3---------------------------|
7/16
S S S S S S S S S S +S S S S S S S S S S E. 3x
|-----------------------------------|---------------||
|-5-----------------------------5-6-|-5---5--------o||
|---7---------3s4---3-(3)-5-6-8-----|---8---7-4-----||
|-----------------------------------|--------------o||
|-----3-3-3-3-----------------------|---------------||
4/4
S S S S S S S S +S S S S S S S S
|-----------------------------------|
|---------------------------5-6-5---|
|---------3s4---3-(3)-5-6-8-------8-|
|-----------------------------------|
|-3-3-3-3---------------------------|
9/8
S S S S S S S S S S +S S S S S S S S S S H..
|-----------------------------------|----------------|
|-5-----------------------------5-6-|-5---5----------|
|---7---------3s4---3-(3)-5-6-8-----|---8---7-4------|
|-----------------------------------|----------------|
|-----3-3-3-3-----------------------|----------------|
Q=118
4/4
Wx4 E E S S E E S S S S S S E E S S S S S S S S S S S S 6x
|------------||--------------------------|------------------------------||
|------------||o-----------------4-------|-----------------------------o||
|------------||--------------------4-----|------------------------------||
|------------||o-0-------3-2-2-2-----4---|-0-------3-2-2-2-2-2-2-2-2-2-o||
|------------||----3-3-3---------------3-|---3-3-3----------------------||
Q=123 1. 2.
E S S E E S S E E S S E S S E E S S E E S S E S S E E S S E E E
||------------------------|------------------------||-----------------------|
||o-----------------------|-----------------------o||-----------------------|
||------------------------|---------------5-4------||---------------5-4-----|
||o-------6-------5-------|-------6---------------o||-------6---------------|
||--3-3-3---6-3-3---5-3-3-|-3-3-3---6-3-3-----3-3--||-3-3-3---6-3-3---------|
1.,2.,3. 4.
E S S E E S S E E S S E S S E E S S E E S S 4x E S S E E S S E E +E
||------------------------|------------------------||--------------------------|
||o-----------------------|-----------------------o||--------------------------|
||------------------------|---------------5-4------||---------------5-4-(4)\---|
||o-------6-------5-------|-------6---------------o||-------6------------------|
||--3-3-3---6-3-3---5-3-3-|-3-3-3---6-3-3-----3-3--||-3-3-3---6-3-3------------|
S S S S S E E S S S S S S S S S S S S E E S S S S S E
||------------------------------|----------------------------||
||o-----------------------------|---------------------------o||
||------------7-----------------|-----------7-----7---8---7--||
||o-------------9---------------|-------------9-5---5---5---o||
||--3-3-3-3-3-----3-6-6-6-6-6-6-|-3-3-3-3-3------------------||
E E S S E E S S S S S S E E S S S S S S S S S S S S
|-------------------------|------------------------------|
|-----------------4-------|------------------------------|
|-------------------4-----|------------------------------|
|-0-------3-2-2-2-----4---|-0-------3-2-2-2-2-2-2-2-2-2--|
|---3-3-3---------------3-|---3-3-3----------------------|
1.,2.,3. 4.
E S S E E S S E E S S E S S E E S S E E S S 4x E S S E E S S E E +E
||------------------------|------------------------||--------------------------|
||o-----------------------|-----------------------o||--------------------------|
||------------------------|---------------5-4------||---------------5-4-(4)\---|
||o-------6-------5-------|-------6---------------o||-------6------------------|
||--3-3-3---6-3-3---5-3-3-|-3-3-3---6-3-3-----3-3--||-3-3-3---6-3-3------------|
S S S S S E E S S S S S S S S S S S S E E S S S S S E 4x
||------------------------------|----------------------------||
||o-----------------------------|---------------------------o||
||------------7-----------------|-----------7-----7---8---7--||
||o-------------9---------------|-------------9-5---5---5---o||
||--3-3-3-3-3-----3-6-6-6-6-6-6-|-3-3-3-3-3------------------||
Wx2 S S S S S S E S S S S +S E S +S E S S S E E S S e e 4x
|---------||--------------------------------|-----------------------------||
|---------||o-----------------------------3-|-(3)-2----------------------o||
|---------||----------------------3-(3)-2---|---------0-2-3---------------||
|---------||o-------------------------------|-------3--------------------o||
|---------||--3-3-3-3-6-5-6-3-3-3-----------|---------------5-5-5-5-5-----||
H +Q. S S E S E S E +H 4x W H. S S E 4x
||-----------------|-------------------||-||-----------|-----------------||
||o----------------|------------------o||-||o----------|----------------o||
||-----------------|-------------------||-||-----------|-----------------||
||o----------------|-6----------------o||-||o----------|-6--------------o||
||--3----(3)---3-3-|---3-6-3-4-(4)-----||-||--3--------|---------5-5-----||
S S S S S S E S S S S +S E S +S E S S S E E S S E E
|-------------------------------|-------------------------|
|-----------------------------3-|-(3)-2-------------------|
|---------------------3-(3)-2---|-----------2-3-----------|
|-------------------------------|-------3-0---------------|
|-3-3-3-3-6-5-6-3-3-3-----------|---------------5-5-5-5---|
1.,2.,3. 4.
E S S E E S S E E S S E S S E E S S E E S S 4x E S S E E S S E E +E
||------------------------|------------------------||--------------------------|
||o-----------------------|-----------------------o||--------------------------|
||------------------------|---------------5-4------||---------------5-4-(4)\---|
||o-------6-------5-------|-------6---------------o||-------6------------------|
||--3-3-3---6-3-3---5-3-3-|-3-3-3---6-3-3-----3-3--||-3-3-3---6-3-3------------|
S S S S S E E S S S S S S S S S S S S E E S S S S S E 4x
||------------------------------|----------------------------||
||o-----------------------------|---------------------------o||
||------------7-----------------|-----------7-----7---8---7--||
||o-------------9---------------|-------------9-5---5---5---o||
||--3-3-3-3-3-----3-6-6-6-6-6-6-|-3-3-3-3-3------------------||
S S S S S S E S S S S +S E S +S E S S S E E S S e e
|-------------------------------|-------------------------*|
|-----------------------------3-|-(3)-2-------------------*|
|---------------------3-(3)-2---|---------0-2-3-----------*|
|-------------------------------|-------3-----------------*|
|-3-3-3-3-6-5-6-3-3-3-----------|---------------5-5-5-5-5-*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths