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To End The Rapture

Avenged Sevenfold

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#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## TO END THE RAPTURE As recorded by Avenged Sevenfold (From the 2003 Album SOUNDING THE SEVENTH TRUMPET) Words and Music by A7x Gtr I (D A D G B E) - 'Synyster Gates' Q=120 4/4 Gtr I ~ ~ |-3-| |-3--| H Q Q Q Q. E Q Q Q H +E E +S E. H +E. E E. |------------|---------------|-------------------|--------------------| |-3----3-3-5-|-6------6-8S10-|-8----(8)-6-(6)-5--|-[6]----(6)---------| |------------|------5--------|-------------------|------------7-------| |------------|---------------|-------------------|--------------10----| |------------|---------------|-------------------|--------------------| |------------|---------------|-------------------|--------------------| ~ |--3--| |-----6-----| H Q Q Q H Q E E +Q Q Q S S S S S S |--------------|-------------8-|-(8)--10--12----------------| |--------------|---------------|----------------------------| |-7----7--7--9-|-10----9--10---|----------------------------| |--------------|---------------|---------------------7-9-10-| |--------------|---------------|--------------7-9-10--------| |--------------|---------------|----------------------------| |------------------------------6-------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S |------------------------------------------------------------------| |------------------------------10-11-13----------10-11-13-10-11-13-| |----------7-9-10-9-7-10-12-13----------10-12-13-------------------| |-7-9-10-9---------------------------------------------------------| |------------------------------------------------------------------| |------------------------------------------------------------------| ~~ |---3---| H Q Q Q |-10----10--10--12--| |-------------------| |-------------------| |-------------------| |-------------------| |-------------------| ~~ |------3-------| |---------------6----------------| Q +E E E E E E E E H S S S S S S S S S S S S |-13--(13)----13----15----17----|-15----/20-19-17----------18-17-15----------| |----------13----13----13----13-|-----------------20-18-17----------18-17-15-| |-------------------------------|--------------------------------------------| |-------------------------------|--------------------------------------------| |-------------------------------|--------------------------------------------| |-------------------------------|--------------------------------------------| |---------------------------------6----------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S |----------------------------------------------------------------------15-| |-------18-17-15----------------------------15-17-18----------15-17-18----| |-18-17----------18-17-15----------15-17-18----------15-17-18-------------| |-------------------------15-17-18----------------------------------------| |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| Hard tapping section ~~~ T |---------------6----------------| Q. E S S S S S S S S S S S S |-17----12-17p12h13-12p10h12-15----------------| |-------------------------------15h17p15-13-18-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| T T T T |---------------------------------6---------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S |------------------------------------------------------------------------| |-18p13h15p13-12-13-17-17p13p12p10h12-15-15p12p10p8h10-17-17p13p12p10h12-| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| T T T |-----------------------------6------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S |-13-13p10p8-7h8-15-15p12p10-8h10-17-17p13p12p10-12h13-8-10-8-7-8--| |------------------------------------------------------------------| |------------------------------------------------------------------| |------------------------------------------------------------------| |------------------------------------------------------------------| |------------------------------------------------------------------| T T |---------------------------------6---------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S |-15-10h12p10-8h10-17-12h13p12-10h12-10h13h15-17-17h18p17-15p13h15-17h18-| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| ~~~ ~~ |------3-------| H. S S S S S S W |-22---17p15p13----------|-22----| |---------------15h17h18-|-------| |------------------------|-------| |------------------------|-------| |------------------------|-------| |------------------------|-------| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths *************************************************************************************** * Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org * ***************************************************************************************
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