Annie Batungbakal by Hotdog

Intro:  

 Cm7 –      F –        Bb –       G – 
|--5-5-5-5-|----------|--3-3-3-3-|----------|
|----------|--3-3-3-3-|----------|--5-7-8-9-|
|-3-3-3-3--|----------|-1-1-1-1--|----------|
|----------|-1-1-1-1--|----------|-3-5-6-7--|

 Cm7 –      F –        Bb –         G – 
|--5-5-5-5-|----------|--3-3-3h5p3-|------3h5p3-|
|----------|--3-3-3-3-|------------|---5--------|
|-3-3-3-3--|----------|-1-1--------|--5---------|
|----------|-1-1-1-1--|------------|-3----------|

I

Si Annie Batungbakal na taga-Frisco, Gabi-gabi na lang ay nasa disco
 Cm7 –      F –        Dm –       G – 
|--5-5-5-5-|----------|--7-7-7-7-|----------|
|----------|--3-3-3-3-|----------|--5-7-8-9-|
|-3-3-3-3--|----------|-5-5-5-5--|----------|
|----------|-1-1-1-1--|----------|-3-5-6-7--|

Mga problema nya’y kanyang nalilimutan, Pag siya’y yumuyugyog, sumasayaw
 Cm7 –      F –        Dm –       G – 
|--5-5-5-5-|----------|--7-7-7-7-|----------|
|----------|--3-3-3-3-|----------|--5-7-8-9-|
|-3-3-3-3--|----------|-5-5-5-5--|----------|
|----------|-1-1-1-1--|----------|-3-5-6-7--|

II

Sa umaga, dispatsadora, Sa gabi sya’s bonggang-bongga
 Cm7 –      BbM7 –         G7 –       Cm – 
|--5-5-5-5-|--------------|----------|--5-7-8-10-|
|----------|--8-8--12--12-|--5-5-5-5-|-----------|
|-3-3-3-3--|--------------|----------|-3-5-6-8---|
|----------|-6-6-10--10---|-3-3-3-3--|-----------|

 
Pagsapit ng dilim, nasa Coco Banana, Annie Batungbakal, sa disco isnabera
 Ebm –      Dm7 – G7 –     Cm7 –      F - 
|--8-8-8-8-|--------------|--5-5-5-5-|----------|
|----------|--7-7--12--12-|----------|--3-------|
|-6-6-6-6--|-5-5-10--10---|-3-3-3-3--|----------|
|----------|--------------|----------|-1-xxxxxx-|

Sa disco, sya ang reyna! (Ay!)
 G7 
|----------|
|--5-------|
|----------|
|-3-xxxxxx-|

Repeat I, II

Adlib:  Repeat Intro Pattern

Repeat II

III – Use Pattern I

Si Annie Batungbakal na taga-Frisco, Bigla na lang natanggal sa trabaho
Mga problema nya’y lahat nagsidatingan, Di na yumuyugyog, sumasayaw

Repeat II 4x, to fade . . . 

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