Invitation by Helloween

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

INVITATION (Bassline)
As recorded by Helloween
(From the 1988 Album KEEPER OF THE SEVEN KEYS PT. 2)

Transcribed by Asmogriff (erik_alfredsson@hotmail.com)
	

Music by Michael Weikath
Arranged by Tommy Hansen

Gtr I (E A D G) - 'Bass'
Gtr II (E A D G B E) - 'Glocken'

 00:00
  Q=157
 4/4
  Gtr I
  Wx6          W          H    H      W          W
|------------|----------|-----------|----------|------|
|------------|-2--------|-1---------|----------|------|
|------------|----------|------2----|-4--------|------|
|------------|----------|-----------|----------|-4----|


                                                 00:27
  W          H    H      W          +W            W
|----------|-----------|----------|------------||------|
|----------|-2---------|----------|------------||-2----|
|-0--------|------4----|-2--------|-(2)--------||------|
|----------|-----------|----------|------------||------|


  H    H      W          W          W          H    H
|------1----|-1--------|----------|----------|-6---------|
|-4---------|----------|-4--------|----------|------6----|
|-----------|----------|----------|-4--------|-----------|
|-----------|----------|----------|----------|-----------|


                          00:39
  W          +W            W          H    H      W
|----------|------------||----------|-----------|------|
|----------|------------||-2--------|-1---------|------|
|-2--------|-(2)--------||----------|------2----|-4----|
|----------|------------||----------|-----------|------|


  W          W          H    H      W          +W
|----------|----------|-----------|----------|--------|
|----------|----------|-2---------|----------|--------|
|----------|-0--------|------2----|-2--------|-(2)----|
|-4--------|----------|-----------|----------|--------|


 00:51
  Gtr I
   W
|-------------------------------------|
|--2----------------------------------|
|-------------------------------------|
|-------------------------------------|
|
| Gtr II
|  |--3--|  |--3--|  |--3--|  |--3--|
|  E  E  E  E  E  E  E  E  E  E  E  E
|-21-19-16-14-16-19-21-19-16-14-16-19-|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|


   H                 H                   W
|--------------------1----------------|-------------------------------------|
|--4----------------------------------|--2----------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|
|  |--3--|  |--3--|  |--3--|  |--3--|    |--3--|  |--3--|  |--3--|  |--3--|
|  E  E  E  E  E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E  E  E  E  E
|-21-19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|


   W                                     W
|-------------------------------------|-------------------------------------|
|--1----------------------------------|-------------------------------------|
|-------------------------------------|--4----------------------------------|
|-------------------------------------|-------------------------------------|
|
|  |--3--|  |--3--|  |--3--|  |--3--|    |--3--|  |--3--|  |--3--|  |--3--|
|  E  E  E  E  E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E  E  E  E  E
|-21-19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|


   H                 H                   W
|--------------------1----------------|---------------------------------------|
|-------------------------------------|---------------------------------------|
|--4----------------------------------|--2------------------------------------|
|-------------------------------------|---------------------------------------|
|
|  |--3--|  |--3--|  |--3--|  |--3--|    |--3--|  |--3--|  |--3--|  |--3--|
|  E  E  E  E  E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E  E  E  E  E
|-------------------------------------|-21-19-16-14-16-19-21-19-16-14-16-19---|
|-12-12-12-12-12-12-12-12-12-12-12-12-|---------------------------------------|
|-------------------------------------|---------------------------------------|
|-------------------------------------|---------------------------------------|
|-------------------------------------|---------------------------------------|
|-------------------------------------|---------------------------------------|


                                        1:03
  +W                                      W
|--------------------------------------|-------------------------------------|
|--------------------------------------|--2----------------------------------|
|-(2)----------------------------------|-------------------------------------|
|--------------------------------------|-------------------------------------|
|
|  |--3---|  |--3--|  |--3--|  |--3--|    |--3--|  |--3--|  |--3--|  |--3--|
|  E   E  E  E  E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E  E  E  E  E
|-21--19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-|
|--------------------------------------|-------------------------------------|
|--------------------------------------|-------------------------------------|
|--------------------------------------|-------------------------------------|
|--------------------------------------|-------------------------------------|
|--------------------------------------|-------------------------------------|


  +W                                     +W
|--------------------------------------|----------------------------------------*|
|-(2)----------------------------------|-(2)------------------------------------*|
|--------------------------------------|----------------------------------------*|
|--------------------------------------|----------------------------------------*|
|
|                                                   >
|  |--3---|  |--3--|  |--3--|  |--3--|    |--3---|  |--3--|  |--3--|  |--3--|
|  E   E  E  E  E  E  E  E  E  E  E  E    E   E  E  E  E  E  E  E  E  E  E  E
|-21--19-16-14-16-19-21-19-16-14-16-19-|-21--19-16-14-16-19-21-19-16-14-16-19---*|
|--------------------------------------|----------------------------------------*|
|--------------------------------------|----------------------------------------*|
|--------------------------------------|----------------------------------------*|
|--------------------------------------|----------------------------------------*|
|--------------------------------------|----------------------------------------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths



www.TAB6.com