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Perpetual

Yngwie Malmsteen

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#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# PERPETUAL (Bassline) As recorded by Yngwie Malmsteen (From the 1992 Album FIRE & ICE) Transcribed by Linus "MrGul" Abrahamson Music by Yngwie J. Malmsteen Gtr I (Eb Ab Db Gb) - 'Bass' Intro Slow Rock Q=72 A#� C/E G F#5 5/16 4/4 Gtr I S Q S S S S S S S S S S S S S S S S H. +S E. E E Q H |------|-------------------------6---6-9-|----------------|-------------| |------|-----------------5---5-8---8-----|----------------|-------------| |------|-------4-7---4-7---7-------------|----------------|-------------| |------|-0-3-6-----6---------------------|-0-------(0)-3--|-2-----------| C/E G F#5 W W +W H. +S E. E E Q H |----------|----------|------------|----------------|-------------| |----------|----------|------------|----------------|-------------| |----------|----------|------------|----------------|-------------| |----------|-2--------|-(2)--------|-0-------(0)-3--|-2-----------| C/E G F#5 G5 W H. +S E. S S S S S S S S e S S S E. |----------|----------------||----------------------------| |----------|----------------||-----4-5-4------------------| |----------|----------------||-----------4----------------| |-2--------|-0-------(0)-3--||-0-2---------3-0-2-2-2-2-3--| F#5 E5 F#5 G5 S S S S S S S S e S S S E. S S S S S S S S e S S S E. |----------------------------|----------------------------| |-----4-5-4------------------|-----4-5-4------------------| |-----------4----------------|-----------4----------------| |-0-2---------3-0-2-2-2-2-0--|-0-2---------3-0-2-2-2-2-3--| A#� S S S S S S S S S S S S S S S S |-------------------------6---6-9-| |-----------------5---5-8---8-----| |-------4-7---4-7---7-------------| |-0-3-6-----6---------------------| F#G5E5F#5 F#G5E5F#5 E E E E e S S S S S S E E E E e S S S S S S ||------------------------|------------------------| ||o-----------------------|------------------------| ||o-----------------------|-----------------2-1----| ||--2-3-0-2-2-2-2-2-3-2-0-|-2-3-0-2-2-2-2-2-----3--| 1. F#G5E5F#5 F#G5E5F#5 E E E E e S S S S S S E E E E e S S S S S S |-----------------------|------------------------|| |-----------------------|-----------------------o|| |-----------------------|-----------------2-1---o|| |-2-3-0-2-2-2-2-2-3-2-0-|-2-3-0-2-2-2-2-2-----3--|| 2. A#� S S S S S S S S S S S S S S S S |-------------------------6---6-9--|| |-----------------5---5-8---8------|| |-------4-7---4-7---7--------------|| |-0-3-6-----6----------------------|| 1. Bm A G F#7 Bm A G F#7 Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q ||--------------|-------------|-------------|--------------|| ||o----9--7-----|----5--4-----|----9--7-----|----5--4-----o|| ||o-------------|-------------|-------------|-------------o|| ||--7--------5--|-3--------6--|-7--------5--|-3--------6---|| 2. G C/E G 2/4 4/4 Q Q H. +S E. |-------|----------------|| |----5--|----------------|| |-------|----------------|| |-3-----|-0-------(0)-3--|| F#5 G5 S S S S S S S S e S S S E. |----------------------------| |-----4-5-4------------------| |-----------4----------------| |-0-2---------3-0-2-2-2-2-3--| F#5 E5 F#5 G5 S S S S S S S S e S S S E. S S S S S S S S e S S S E. |----------------------------|----------------------------| |-----4-5-4------------------|-----4-5-4------------------| |-----------4----------------|-----------4----------------| |-0-2---------3-0-2-2-2-2-0--|-0-2---------3-0-2-2-2-2-3--| A#� S S S S S S S S S S S S S S S S |-------------------------6---6-9-| |-----------------5---5-8---8-----| |-------4-7---4-7---7-------------| |-0-3-6-----6---------------------| F#G5E5F#5 F#G5E5F#5 E E E E e S S S S S S E E E E e S S S S S S ||------------------------|------------------------| ||o-----------------------|------------------------| ||o-----------------------|-----------------2-1----| ||--2-3-0-2-2-2-2-2-3-2-0-|-2-3-0-2-2-2-2-2-----3--| 1. F#G5E5F#5 F#G5E5F#5 E E E E e S S S S S S E E E E e S S S S S S |-----------------------|------------------------|| |-----------------------|-----------------------o|| |-----------------------|-----------------2-1---o|| |-2-3-0-2-2-2-2-2-3-2-0-|-2-3-0-2-2-2-2-2-----3--|| 2. A#� S S S S S S S S S S S S S S S S |-------------------------6---6-9--|| |-----------------5---5-8---8------|| |-------4-7---4-7---7--------------|| |-0-3-6-----6----------------------|| C/E G S S S S S S S S S S S S S S S S H. +S E. |-12----12-15-18----15-18-21----18-21-24----21-24-|----------------|| |----14----------17----------20----------23-------|----------------|| |-------------------------------------------------|----------------|| |-------------------------------------------------|-0-------(0)-3--|| F#5 G F#5 Em7 F#5 G C/E G E E Q Q S E. E E Q Q S E. E E Q Q S E. H. +S E. |----------------|----------------|----------------|-----------------| |----------------|----------------|----------------|-----------------| |----------------|----------------|----------------|-----------------| |-2-----------3--|-2-----------0--|-2-----------3--|-0-------(0)-3---| G5 E5 S S S S S S S S e S S S E. S S S S S S S S e S S S E. 12x ||-----------------------------|-----------------------------|| ||o-----4-5-4------------------|-----4-5-4------------------o|| ||o-----------4----------------|-----------4----------------o|| ||--0-2---------3-0-2-2-0-2-3--|-0-2---------3-0-2-2-2-2-0---|| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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