+
-

The Final Command

Slayer

Text File

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# THE FINAL COMMAND (Bassline) As recorded by Slayer (From the 1983 Album SHOW NO MERCY) Transcribed by cbliss66@aol.com Words by Kerry King Music by Jeff Hanneman and Kerry King Arranged by Slayer Gtr I (E A D G) - 'Araya' Gtr II (E A D G) - 'Lombardo' Intro E=232 12/8 8/8 Gtr I H. Q. E E E 4x H Q E E 4x H Q E E ||----------------------||-||---------------||--------------| ||o--------------------o||-||o-------------o||-----------1--| ||o----------------1-3-o||-||o-----------1-o||---------1----| ||---------------1------||-||----------1----||--------------| H Q E E H Q E E H Q E E |-------------|-------------|-------------| |-----------1-|-------------|-------------| |---------1---|-----------1-|-----------1-| |-------------|---------1---|---------1---| 1st,2nd and 3rd Verses Fast Rock Q=174 $ E E E E E E E E S S S S +E E S S S S +E E E E E E E E E E ||------------------|-----------------------------|------------------| ||o-----------------|-----------------------------|------------------| ||o-5-5-5-5-5-5-5-5-|-5p3---3-(3)-5-5p3---3-(3)---|-5-5-5-5-5-5-5-5--| ||------------------|-----5-------------5-------5-|------------------| S S S S +E E S S S S +E E E E E E E E E E S S S S +E E S S S S +E E |-----------------------------|-----------------|------------------------------| |-----------------------------|-----------------|------------------------------| |-5p3---3-(3)-5-5p3---3-(3)---|-5-5-5-5-5-5-5-5-|-5p3---3-(3)-5-5p3---3-(3)----| |-----5-------------5-------5-|-----------------|-----5-------------5-------5--| E E E E E E E E S S S S +E E S S S S +E E E E E E E E E E |-----------------|-----------------------------|-----------------| |-----------------|-----------------------------|-----------------| |-5-5-5-5-5-5-5-5-|-5p3---3-(3)-5-5p3---3-(3)---|-7-7-7-7-7-7-7-7-| |-----------------|-----5-------------5-------5-|-----------------| S S S E. E S S S E. E E E E E E E E E S S S E. E S S S E. E |-----------------------|-----------------|-----------------------| |-----------------------|-----------------|-------5--7-------5--7-| |-7-7-7-5--7-7-7-7-5--7-|-7-7-7-7-7-7-7-7-|-7-7-7------7-7-7------| |-----------------------|-----------------|-----------------------| E E E E E E E E S S S S +E E S S S S +E E |-----------------|-----------------------------| |-----------------|-----------------------------| |-5-5-5-5-5-5-5-5-|-5p3---3-(3)-5-5p3---3-(3)---| |-----------------|-----5-------------5-------5-| E E E E E E E E S S S S +E E S S S S +E E |-----------------|------------------------------| |-----------------|------------------------------| |-5-5-5-5-5-5-5-5-|-5p3---3-(3)-5-5p3---3-(3)----| |-----------------|-----5-------------5-------5--| Chorus E E E E E E E E S S S S +E E S S S S +E E |-----------------|-----------------------------| |-----------------|-9p7---7-(7)-9-9p7---7-(7)-9-| |-2-2-2-2-2-2-2-2-|-----9-------------9---------| |-----------------|-----------------------------| E E E E E E E E S S S S +E E S S S S +E E |-----------------|------------------------------| |-----------------|-9p7---7-(7)-9-9p7---7-(7)-9--| |-2-2-2-2-2-2-2-2-|-----9-------------9----------| |-----------------|------------------------------| 1. 2. To Coda Q E E E Q E Q E E E Q E Q E Q E E E Q E Q E E E |---------------|---------------|-----------------||----------------| |---------------|---------------|------------3-2-o||------------5-4-| |-3--3-3-3-3--3s|=5--5-5-5-5--5-|-7\--2-3--5-----o||-7\--2-3--5-----| |---------------|---------------|-----------------||----------------| Guitar Solo Q E Q E E E S S S S S S S S S S S S S S S S |----------------||----------------------------------| |------------5-4-||o---------------------------------| |-7\--2-3--5-----||o-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-| |----------------||----------------------------------| S S S S S S S S S S S S S S S S |-----------------------------------| |-----------------------------------| |-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5---| |-----------------------------------| D.S. al Coda S S S S S S S S S S S S S S S S S S S S S S S S Q Q 4x Q E Q E E E |---------------------------------|------------------------||----------------|| |---------------------------------|-----------------------o||-----------3-2--|| |-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-2-2-2-2-2-2-2-2-3--5--o||-7--2-3--5------|| |---------------------------------|------------------------||----------------|| & Q E Q E E E Q E Q E E E Q E Q E E E Q H. |----------------|----------------|----------------|----------*| |------------5-4-|------------5-4-|------------5-4-|----------*| |-7\--2-3--5-----|-7\--2-3--5-----|-7\--2-3--5-----|-7--------*| |----------------|----------------|----------------|-0--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
chord popup kanux