+
-

Opus 35 No 22 In B Minor

Fernando Sor

Text File

E-|---Author:-Etudio V: Opus.35 No.22--------------| B-|---Transcription-by:Christian Liang-------------| G-|---E-Mail:christian.liang@gmail.com-------------| D-|---http://www.chrisliang.com--------------------| A-|------------------------------------------------| E-|---Enjoy!---------------------------------------| Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate [1]Bm F#7 Bm/F# II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p [5]F# Bm/F# Em/G F# II E|-------------|-------------|-0-------1---|-2-----------| B|-2-------2---|-3-------3---|---0---0---0-|---2---2-----| G|---3---3---3-|---4---4---4-|-----0-------|-----3-----3-| D|-----4-------|-----4-------|-------------|---------4---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 4 2 1 2 2 4 3 4 2 4 1 1 1 2 1 4 2 RH m i p i m i m i p i m i m i p i m i a m i m p i [9]Bm F#7 G II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----5-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 1 2 3 2 1 2 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p [13]A7/E Bm/F# F# Bm II II II E|-0-------0---|-------------|-------------|-------------| B|---2---2---2-|-3-------3---|-2-------2---|---3---------| G|-----0-------|---4---4---4-|---3---3---3-|-4-----4-----| D|---------2---|-----4-------|-----4-------|-----4-------| A|-------------|-------------|-------------|---------2---| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 2 1 2 2 4 3 4 2 4 1 2 4 2 1 2 4 2 4 3 1 RH a m i m a m m i p i m i m i p i m i m a i m p p [17]Bm/F# F#7 Bm F# II II II E|-2-------2---|-0-------0---|-------------|-------------| B|---3---3---3-|---2---2---2-|-3-------3---|-2-------2---| G|-------------|-------------|---4---4---4-|---3---3---3-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 2 3 2 1 2 RH a m p m a m a m p m a m m i p i m i m i p i m i [21]Bm/F# F#7 Bm F# II II II E|---------2---|-0-----------|-------------|---2---------| B|-3---------3-|---2-----2---|-3-------3---|-2-----2-----| G|---4---4-----|-------3---3-|---4---4---4-|-----3-------| D|-----4-------|-----4-------|-----4-------|---------4---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 1 2 1 3 2 1 2 2 4 3 4 2 4 1 1 2 1 4 RH m i p i a m a m p i m i m i p i m i m a i a p [25]B7 Em A7 D II II E|-------------|-0-----------|-------------|-------------| B|-4-------4---|---------0---|-2-------2---|-3-------3---| G|---2---2---2-|---0---0---0-|---0---0---0-|-------2---2-| D|-----4-------|-----2-------|-----2-------|-----4-------| A|-2-----------|-------------|-0-----------|---5---------| E|-------------|-0-----------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 4 1 3 1 4 1 3 3 1 2 2 4 3 1 2 1 1 RH m i p i m i a i p i m i m i p i m i a p i m a m p p p [29]Am7/E E#dim7 F# II E|-------------|-3---0-------|-------------|-----------2-| B|-1-------1---|---------1---|-0-------0---|---------2---| G|---0---0---0-|---0---0---0-|---1---1---1-|-3-----3-----| D|-----2-------|-2---2---2---|-----0-------|-----4-------| A|-------------|-------------|-------------|---4---------| E|-0-----------|-------------|-1-----------|-2-----------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 1 4 2 1 1 2 2 2 2 3 4 2 1 1 2 2 1 RH m i p i m i a i a i m i m i p i m i m p p i m a p p p p p p [33]Bm F#7 Bm/F# II II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 1 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p [37]F# Bm/F# Em/G F# II II II E|-------------|-------------|-0-------1---|-2-----------| B|-2-------2---|-3-------3---|---0---0---0-|-------2---2-| G|---3---3---3-|---4---4---4-|-----0-------|-----3-------| D|-----4-------|-----4-------|-------------|---4-----2---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 2 4 3 4 2 4 1 1 4 2 1 1 1 RH m i p i m i m i p i m i m i p i m i a p i m p m [41]Bm/D C#7 F#7 G IV IV E|-2-------2---|-4-------4---|-6-------6---|-7-------7---| B|---3---3---3-|---6---6---6-|---5---5---5-|---0---0---0-| G|-----4-------|-----4-------|-----6-------|-----7-------| D|-0-----------|-------------|-4-----------|-5-----------| A|-------------|-4-----------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 1 4 1 4 1 4 4 2 3 2 4 2 4 3 4 1 1 1 RH m i p i m i m i p i m i m i p i m i m i p i m i p p p p [45]A9/E Bm/F# F#7 Bm II II II E|-3-------3---|-2-------2---|-2-----------|-------------| B|---2---2---2-|---3---3---3-|---2---2-----|-----0-------| G|-----4-------|-----4-------|-----3-----3-|-----4-------| D|-2-----------|-4-----------|---------2---|-----0-------| A|-------------|-------------|-------------|-----2-------| E|-------------|-------------|-2-----------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 1 3 1 2 1 1 2 4 2 1 2 1 1 2 1 1 2 4 1 3 1 1 RH m i p i m i m i p i m i a m i m p i a,m,i,p p p Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate Many Fernando Sor's songs are structure as Estudio or Study Exercises. The main goal of these "studies" is to provide memorable pieces and enhance the skill and knowledge of the practitioner. Andres Segovia selected a set of 20 of those studies, each emphasizing a particular aspect of technique, and these are now some of the best known of Sor's works. Opus 35. No22 is study 5 which deals with arpeggios. There are some Barred Chords here, mainly F# and Bm. The pluck pattern playing each note of the chord arpeggios is mostly (pim) with some variations. Suspend the bass (mostly F#) by using the thumb on a downstroke rather than an index on an upstroke. This gives it more power.
chord popup kanux