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Bloodrocuted

Dethklok

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------------------------------------------------------------------------------- Bloodrocuted - Dethklok ------------------------------------------------------------------------------- Tabbed by: Old Rasputin Email: einsteinonthebeach@comcast.net Tuning: C standard (C,F,Bb,Eb,G,c) Note: All note names are written as though we are in standard tuning, as I refuse to re-learn my fretboard in C. Note: Sometimes I feel it necessary to notate rhythm, My conventions are as follows: W = whole note/rest R = rest h = half note/rest q = quarter note/rest / e = eighth note/rest o/o = repeat previous bar s = sixteenth note/rest / h.= dotted half note Tied note values are connected with an underscore. example: s__(s) (a 16th tied to another 16th) anything under: /--3--\ is a triplet Double bar lines indicate the end of sections. Bar lines occur every 4 beats. Intro Riff: c.|------------|-------------|------------|-------------|| G.|------------|-------------|------------|-------------|| Eb|------------|-------------|------------|---5--5---7--||X2 Bb|-2-2--------|-2-2---------|-2-2--------|-2-5--5-5-7--|| F.|-2-2-----2--|-2-2---------|-2-2-----2--|-2-3--3-5-5--|| C.|-0-0-320-0--|-0-0-320-320-|-0-0-320-0--|-0------3----|| pm-| pm-----| pm-| Verse Riff: c.|------------|--------------|------------|------------|| G.|------------|--------------|------------|------------|| Eb|---------7--|-----------7--|------------|------------||X2 Bb|-8/9\8/9-5--|-9\8/9\8/9-5--|-7\5/7\5-7--|-5/7\5-7----|| F.|-6/7\6/7----|-7\6/7\6/7----|-5\3/5\3-5--|-3/5\3-5-7--|| C.|------------|--------------|------------|---------5--|| Repeat from top, then: These next 2 riffs are tough to hear for sure - even when slowed down. This should be pretty damn close though. Riff 3: c.|------------|-------------|-----------|-------------|| G.|------------|-------------|-----------|-------------|| Eb|------------|-------------|-----------|-------------||X2 Bb|-2-2--------|-------------|-5-5-------|-------------|| F.|-2-2-----2--|-7-7---------|-5-5-----5-|-5-5---------|| C.|-0-0-320-0--|-5-5-875-875-|-3-3-753-3-|-2-2-532-532-|| pm-| pm-----| pm-| pm-----| Riff 4: c.|-------------|-------------|-------------|-------------|| G.|-------------|-------------|-------------|-------------|| Eb|-------------|-5-----5-----|-5-----5-----|-8-----------||X2 Bb|-------------|-4-----4-----|-4-----4-----|-8-----8-----|| F.|-6-----6-----|-3-333-3-333-|-3-333-3-333-|-6-666-8-----|| C.|-3-444-3-444-|-------------|-------------|-------6-666-|| pm-| pm-| etc... Riff 5: c.|------------|----------------|| G.|------------|----------------|| Eb|------------|----------------||X2 Bb|-2-2--------|---2---2--------|| F.|-2-2-----2--|---2---2-----2--|| C.|-0-0-320-0--|-R-0-R-0-320-0--|| q q sse q e e e e sse q pm-| pm-| Riff 6: c.|-----------------|-----------------|-----------------|------------------| G.|-----------------|-----------------|-----------------|------------------| Eb|-----------------|-----------------|-----------------|------------------| Bb|-----------------|-----------------|-----------------|------------------| F.|-----------------|---------------2-|-----------------|-----------2-5p2--| C.|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-2-3---|-0-0-0-0-0-2-3p2-|-0-0-0-0-0--------| pm - - - | pm - - - - - | pm - - - | pm - - - | c.|-----------------|-----------------|-----------------|----------------| G.|-----------------|-----------------|-----------------|----------------| Eb|-----------------|-----------------|-----------------|----------------| Bb|-----------------|-----------------|-----------------|-------------7--| F.|-----------------|---------------2-|-----------------|-------------4--| C.|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-2-3---|-0-0-0-0-0-2-3p2-|-0-0-0-0-0-0----| pm - - - | pm - - - - - | pm - - - | pm - - - - | 1st ending: c.|------------------|-----|-----|-----|| G.|------------------|-----|-----|-----|| Eb|-7----------------|---/-|---/-|---/-|| Now repeat from the 5th bar Bb|-7----------------|-o/o-|-o/o-|-o/o-|| and take 2nd ending. F.|-5555555555-etc---|-/---|-/---|-/---|| C.|------------------|-----|-----|-----|| (just hammering out 16ths) 2nd ending: c.|------------------|-----|-----------------|-----|| G.|------------------|-----|-----------------|-----|| Eb|-7----------------|---/-|-5---------------|---/-|| Bb|-7----------------|-o/o-|-5---------------|-o/o-|| F.|-5555555555-etc---|-/---|-333333333-etc---|-/---|| C.|------------------|-----|-----------------|-----|| Harmony parts for 2nd ending: c.|-12b(14)~~~|-(14)~~~---|-10b(12)~~~|-(12)~~~---||Gtr2 G.|-13b(15)~~~|-(15)~~~---|-12b(13)~~~|-(13)~~~---||Gtr3 Eb|-----------|-----------|-----------|-----------|| c.|-----------|-----------|-----------|-----------|| G.|-8b(10)~~~-|-(10)~~~---|-7b(8)~~~--|-(8)~~~----||Gtr4 Eb|-----------|-----------|-----------|-----------|| ^^^ I really wouldn't worry too much about these. You could try just letting the bass handle all the 16th notes and having the 2 guitars play some combination of the harmonies. It might sound a bit empty though; I'd have to experiment. Guitar Solo: c.|-12-8----8----|-------------------|-------------------|----7-------| G.|------12---12-|-10-8h10p8\7-8-7---|-------------------|------7~----| Eb|--------------|-----------------9-|-9876---------4567-|-9----------| Bb|--------------|-------------------|-----9876-5678-----|------------| F.|--------------|-------------------|-------------------|------------| C.|--------------|-------------------|-------------------|------------| it splits into harmonies here: "lead" part: c.|---------------|---------------|14b(15)--15b(17)---|17b(19)--19b(20)--|19~|| G.|---------------|12~~12h15p12-15|-------13-------15-|-------17-------19|---|| Eb|12~~12h14p12-14|---------------|-------------------|------------------|---|| h e e e q h e e e q q q q q q q q q h \--3--/ \--3--/ harmony part: c.|---------------|-12~~--------17-|12~-12~-14~-14~|-15~-15~-17~-17~|-----|| G.|-12~~-------15-|----------------|---------------|----------------|-17~-|| Eb|---------------|----------------|---------------|----------------|-----|| h. q h. q q q q q q q q q h The above is an approximation (albeit a good one) of what you hear on the record.I suspect a whammy pedal is involved on the recording. It sounds like the bends (as I have them notated) in the lead part are actually starting a 5th below the target note, going up, and then coming all the way back down in one smooth motion. The notes I wrote after each bend on the 2nd string approximate the "coming back down" of the note. It's not exact, but if you (like me) have 2 guitars to work with and (also like me) don't feel like dicking around with a whammy, this is a very reason -able solution, but it only works if you actually have both parts - the lead part sounds rather empty by itself. Repeat the Verse Riff 2X Outro: Rhythm guitar plays Riff 3 4X Meanwhile, the other guitars begin layering on harmony parts: Harmony Part A: (played over all 4 repetitions of the riff - center) c.|---------|---------|--------7-|----------|| G.|-8~~---8-|-10~~-8~-|-8~~-10---|-7~~-8-10-|| Eb|-----7---|---------|----------|----------|| h q q h h h q q h q q Harmony Part B: (played over the last 3 repetitions of the riff - left channel) c.|-----------|----------|------------|------------|| G.|-12~~---12-|-13~~-12~-|-12~~-13-15-|-10~~-12-13-|| Eb|------12---|----------|------------|------------|| h q q h h h q q h q q Harmony Part C: (played over the last 2 repetitions of the riff - right channel) c.|-15~~---15-|-17~~-15~-|-15~~-17-19-|-14~~-15-17-|| G.|------15---|----------|------------|------------|| Eb|-----------|----------|------------|------------|| h q q h h h q q h q q Harmony Part D: (played over the last repetiton of the riff - center) c.|-12~~------|-12~~-12~-|-10~~-------|-10~~--10~--|| G.|-----------|----------|------------|------------|| Eb|-----------|----------|------------|------------|| W h h W h h Ending: c.|------------|| G.|------------|| Eb|------------|| Bb|-2-2--------|| F.|-2-2-----2--|| C.|-0-0-320-0--|| pm-| Like a lot of the Dethklok stuff, this tune finds Mr. Small taking full advantage of the wonders of multi-track recording, which can be a pain in the ass for those of us, like me, who are trying to arrange it for a live setting. Ultimately you'll just have to experiment with which harmonies work for you - unless, of course you want to have 4 or 5 guitar players on stage (a nightmare, I assure you). Anyway, good luck. Cheers, -Old Rasputin Typos? Questions? Comments? email: einsteinonthebeach@comcast.net Hear Old Rasputin at: www.myspace.com/Oldrasputin =============================================================================== = | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note ===============================================================================
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