Fitrat by Entity Paradigm #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# FITRAT As recorded by Entity Paradigm (From the 2003 Album IRTIQA) Transcribed by Syed Atif Ali (atifsyedali@yahoo.com) Gtr I (E A D G B E) - 'Clean through flanger and small wah then Overdriven' See legend at the bottom to understand timing by W,H,Q,E,S letters. 4/4 W Gtr I ~ ~~ ~ ~~ W E E E E Q W E E E E W E E E E Q H E E E E E E E Q E Q E Q E E E Q |------------------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------------------| |-8-12-13-12\-10\-8-13-12-13-12\-10\-8-12-13-12\-10\-8-13-13-13-13-13-13-13-13-13-13-12-12-10-8-7-8-10-| |------------------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------------------| T Q E Q E H E E E E E E Q E E E Q E E E Q E Q E Q E E E E E E E |----------------------------------------------------------------------------------------| |----------------------------------------------------------------------------------------| |-11/-13-13-11-11-10b11r10-10-10-7-8-7---7-8-7-------------------------------------------| |--------------------------------------8-------8-8h10p8-6-6-4-4-3-3/-4\-3\-1/-3/-4\-3----| |----------------------------------------------------------------------------------------| |----------------------------------------------------------------------------------------| T T T T Q E Q E Q E E E Q T Q E Q E Q S S S S S H E E E E E E E E E E E E E E |----------------------------------------------------------------------------------------------------------| |-----------------------------------------------------------------------15-------13-------15-------13------| |10/-13-13-12-12-10-8-7-8-10-11/-13-13-11-11-10h11p10h11p10h11p10-10-11----10-11----10-11----10-11----10-11| |----------------------------------------------------------------------------------------------------------| |----------------------------------------------------------------------------------------------------------| |----------------------------------------------------------------------------------------------------------| T T T T T ~~ E T T T E E E E E E W |--------------------------------------| |-13-----------------------------------| |----10h11h16-10-11-10\-8\-6\-4/-11----| |--------------------------------------| |--------------------------------------| |--------------------------------------| E Q Q Q E Q E E E E E E |------------------|----------------------| |------------------|-----------9----------| |------------------|-----10-11---11-10----| |-9/-11--11--11--9-|-11----------------11-| |-7/--9---9---9--7-|--9-------------------| |------------------|----------------------| E E Q Q Q E Q E E E E E E E |------------------|---------------------|-------| |------------------|-------------9-------|-------| |------------------|-------10-11---11-10-|-------| |-9-9/-11--11--11--|-9-11----------------|-11-9--| |---7/--9---9---9--|-7--9----------------|-------| |------------------|---------------------|-------| E Q Q Q E Q E E E E E E |------------------|-----------9----------| |------------------|----------------------| |------------------|-----10-11---11-10----| |-9/-11--11--11--9-|-11----------------11-| |-7/--9---9---9--7-|--9-------------------| |------------------|----------------------| E E E E E E E E E E S S S S S S E |---12-15-15-12-15-15-12-14-14/-15/-14-12/-14\-12\-10\-8-| |--------------------------------------------------------| |--------------------------------------------------------| |-9------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| E Q Q Q E Q E E E E E E |------------------|----------------------| |------------------|-----------9----------| |------------------|-----10-11---11-10----| |-9/-11--11--11--9-|-11----------------11-| |-7/--9---9---9--7-|--9-------------------| |------------------|----------------------| E E Q Q Q E Q E E E E E E E |------------------|---------------------|-------| |------------------|-------------9-------|-------| |------------------|-------10-11---11-10-|-------| |-9-9/-11--11--11--|-9-11----------------|-11-9--| |---7/--9---9---9--|-7--9----------------|-------| |------------------|---------------------|-------| T T T E E E E E E E E E E E E E E W H W W |----------------------|-------------------------------------------| |----------------------|-------------------------------------------| |-11p10p7-10p7p5-11p10p|=7-10p7p5-11p10p7-16b17.5-14b15.5-13b14----| |----------------------|-------------------------------------------| |----------------------|-------------------------------------------| |----------------------|-------------------------------------------| E S S E E E E E H |-----------------------|----| |-----------------------|----| |------------------7----|----| |-7-7/-9-9-9-7-9-7-7----|----| |-7-7/-7-7-7-7-9-7-5----|----| |-5-5/-7-7-7-5-7-5------|----| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths ** Generated using Power Tab Editor by Brad Larsen: www.TAB6.com